Marcia gay harden 2015
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MARCIA GAY HARDEN 2015 SERIES
This role earned her her first Emmy Award nomination for best guest actress in a drama series in 2007. She guest-starred as FBI undercover agent Dana Lewis posing as a white-supremacist in “Raw” which is an episode of the popular crime drama Law & Order: Special Victims Unit. Harden was again nominated in the same category for Mystic River in 2003. She was awarded the 2000 Academy Award for Best Supporting Actress for her portrayal of painter Lee Krasner in Pollock (2000).
MARCIA GAY HARDEN 2015 MOVIE
Her notable film roles include the Disney sci-fi comedy Flubber (1997) which is a popular hit in which she co-starred with Robin Williams the supernatural drama Meet Joe Black (1998), playing the under-appreciated daughter of a tycoon (Anthony Hopkins, co-starring Brad Pitt) She has also cast in Labor of Love (1998), a Lifetime television movie in which she starred with David Marshall Grant and also Space Cowboys (2000), an all-star adventure-drama about aging astronauts. Throughout the 1990s, Harden continued to appear in films and television. She played actress Ava Gardner alongside Philip Casnoff as Frank Sinatra in the made-for-TV miniseries Sinatra in 1992. Even so, at the time, living in New York City, Harden had to go back to doing catering jobs “because I didn’t have any money”. Harden appeared in the Coen brothers’ Miller’s Crossing (1990)which is a 1930s mobster drama in which she first gained wide exposure.
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She also appeared in The Imagemaker (1986), her first movie screen role, in which she played a stage manager. Harden appeared in several television programs, including Simon & Simon, Kojak, and CBS Summer Playhouse throughout the 1980s. So when the smoke clears (or, actually, the blood gets suctioned away), those viewers who stick around might be inclined to ask, with apologies to Aaron Sorkin, “Who ordered the ‘Code Black?’ ” In keeping with the show’s general diagnosis, the responsible parties should take one big step backward.Her first film role was in a 1979 student-produced movie at the University of Texas. And this one doesn’t come close to establishing that uniqueness, at least initially. Yet if that’s meant to build suspense, it winds up playing mostly like a gimmick, with the requisite warm-and-fuzzy moments after all the shouting of medical jargon and fast-paced music subsides.ĬBS tends to be selective and targeted with its development, and the network clearly wants another medical show in its arsenal, perhaps just to break up the monotony of putting additional serial-killer shows (oh “Stalker,” we hardly knew ye) behind “Criminal Minds.” In that regard, “Code Black” bears a passing resemblance to one of the network’s most recent stabs at the genre, “Three Rivers,” which starred Alex O’Loughlin (who no doubt thanks his lucky stars that show failed, given that he’s spent the past several years catching rays in Hawaii).Īs with most of these familiar templates, unless the producers get extremely lucky with the casting beyond more established names like Harden and guest Kevin Dunn, there has to be at least some wrinkle that distinguishes the program from everything else that’s on, much less what’s passed before.
MARCIA GAY HARDEN 2015 CODE
Throughout the hour, the code level keeps changing colors as new cases pour in, escalating the stress on staff.
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The premise, such as it is, is that this L.A.-based facility notoriously happens to be the busiest emergency room in the U.S., one where “Code Black” is called more than any other. Leanne Rorish, they’re an eclectic but pretty nondescript bunch, other than Christa Lorenson (“NYPD Blue’s” Bonnie Somerville), who will eventually explain why she’s subjecting herself to this ordeal at a more advanced age than most of her peers. Under the supervision of Harden’s residency director Dr. “For the next three years, I’m your mama,” gruff nurse Jesse Sallander (Luis Guzman) tells the new batch of first-year residents, in very “Grey’s Anatomy”-like fashion. Harden isn’t the only fine actor here, but they’re all toiling in service of hoary cliches, in a pilot that quickly flatlines. Named after a term for a very specific type of crisis - a moment when a hospital’s resources are essentially overwhelmed by the number of emergency patients - the CBS series is trying to get maximum promotional mileage out of Marcia Gay Harden’s casting as a hard-driving surgeon, one of the heroic personnel on display. “ Code Black” certainly feels like a misnomer, since it’s hard to think of a medical drama that could possibly look more beige.